In 2017, we decided to put our expertise at the service of social commitment. Thanks for Nothing is born out of our desire to link the world of contemporary art and that of engagement but also to take action and stop being only a spectator of the situation and the reality of social inequalities. We wanted to become actors of solidarity and change. With Thanks for Nothing, we want to demonstrate that we all have the means to act and that we can all contribute to the construction of a fairer society.

Anne-Hélène Decaux

Director at Gagosian, Paris


Recently ranked among the top ten most influential French women in the art market, Anne-Hélène Decaux has been combining different occupations for fifteen years.
As a specialist in 20th century art, Anne-Hélène Decaux directed the Post-War and Contemporary Art Department at Sotheby’s for over five years, before joining the prestigious Gagosian Gallery in early 2021. Anne-Hélène is also an engaged curator. She began her career at the Aga Khan Foundation, organized several exhibitions for Wild Touch, a French NGO distinguished for its remarkable work in raising public awareness about climate change, and since 2020 she has been developing artistic projects for Panoptes, a non-profit initiative based in Brussels. Anne-Hélène has been President of Thanks for Nothing since the beginning of 2021.

Laurent Le Bon

President of the Musée national Picasso-Paris


General Heritage Curator, Laurent Le Bon was in charge of the public procurement at the Délégation aux arts plastiques (Plastic Arts Delegation) of the Ministry of Culture, before becoming curator at the Musée National d’Art Moderne, Center Georges Pompidou, from 2000 to 2010. He has curated some fifty exhibitions and wrote the related books, including “Dada” at the Centre Pompidou, “Jeff Koons Versailles” at the Château de Versailles, “Gardens” at the National Galleries of the Grand Palais, “Dioramas” at the Palais de Tokyo and “Picasso. Bleu et rose” at the Musée d’Orsay. From 2008 to 2014, he directed the Centre Pompidou-Metz where he curated the exhibitions ” Chef-d’oeuvre ? ” and “1917”. Since June 2014, he is President of the Musée national Picasso-Paris.

Marine Van Schoonbeek

General Director and Co-founder

From 2017 to 2021, Marine Van Schoonbeek was President and Co-founder of Thanks for Nothing and has directed all of its projects. Since February 2021, she is General Director of the organization. Meanwhile, she teaches at Sciences Po and is a member of the Board of Directors of the Primo Levi Center.
From 2015 to 2018, Marine was Director of the Galerie Chantal Crousel, in charge of development, relations and sales to institutions and international collectors. From 2012 to 2015, Marine directed relations with FIAC collectors and institutions. For 3 years, she developed the entire VIP program in partnership with 200 institutions, foundations and private collections internationally. From 2009 to 2012, she was in charge of public relations and patronage at the Centre Pompidou-Metz, where she developed the policy of fundraising and coordinated the official inauguration of the venue, the first cultural institution of this scale to be relocated in France. In 2008, she was a special assistant to Robert Fitzpatrick, Director of the Museum of Contemporary Art in Chicago, where she analyzed the structure of American cultural institutions.

Blanche de Lestrange

Co-founder – volunteer
Artistic Director of the Art Explora Foundation

From September 2020, Blanche is the Artistic Director of the Art Explora Foundation. From 2010 to 2020, Blanche developed and directed the FIAC’s Hors les murs programs, which included tours of artworks presented at the Tuileries, the National Museum of Natural History, the banks of the Seine, Place Vendôme, the Petit Palais and the Maison de la Radio. Each year, these tours offer more than 60 works of art, accessible to all and installed in the public space. Blanche also directs programmes of performances, dance, artists’ films and conferences in collaboration with major institutions such as the Louvre Museum, the Palais de la Découverte, and the Ecole Nationale Supérieure des Beaux-Arts de Paris. She has also been associate curator of the performance programme “À Rebours” at the Silencio and “L’Eveil du Printemps” for the Toulouse International Festival, le Printemps de Septembre.

Anaïs de Senneville

Development Director – volunteer
Patrons’ Program Manager at Museum of Modern Art of Paris


Depuis 2015, Anaïs est chargée de la programmation des Amis du Musée d’Art moderne de la Ville de Paris. Elle s’occupe du développement du mécénat individuel du musée et des relations extérieures de la Société des Amis avec les institutions et collectionneurs, en France et à l’étranger. En 2014, elle a rejoint la Galerie Max Hetzler et a coordonné le lancement de l’activité de la galerie en France, de l’inauguration à l’organisation des expositions, des ventes et des événements. En 2012, Anaïs a assisté Marie-Laure Bernadac et Pauline Guelaud au sein du département d’art contemporain du Musée du Louvre où elle a travaillé sur la production des expositions de 2012 à 2015, plus particulièrement sur celle de Michelangelo Pistoletto en 2013. Impliquée dans différentes associations culturelles à but social, telles que L’Envolée Bleue et OArt, Anaïs a accompagné des étudiants dans l’organisation d’événements artistiques à Paris. Elle a également fondé, avec le soutien de la Mairie de Paris, une galerie d’art publique où elle a exposé les travaux de très jeunes artistes, dont ceux des étudiants des Beaux Arts de Paris (Atelier Tayou).

Anne-Sarah Bénichou

Projects Director
Founder of Galerie Anne-Sarah Bénichou


Anne-Sarah Bénichou is the director of the eponymous gallery she founded in the Marais in Paris, after a double training in Art History and Literature as well as several experiences in the art market, in auction houses as well as galleries. She represents French and international contemporary artists, both emerging and established. She organizes solo or group exhibitions in partnership with curators, philosophers and writers, which often come with catalogues. She is also a member of the board of the Paris Gallery Week-end and the board of directors of the CPGA.

Gaëlle Grivois Porte

Project director
Deputy Director at Council


Gaëlle Porte is a curator and currently a project manager at Council where she develops a research residency since 2019. Before then, she curated and produced 6 exhibitions between Paris and New York, with a focus on young emerging artists. Prior to that, she was based in New York and worked 3 years as a studio manager for the artist Prune Nourry. She also was an artist liaison for artists such as Jenny Holzer, Haegue Yang, Roni Horn and Bill Viola at Kukje Gallery. In addition, Gaëlle managed The Clark Institute Masterpiece Tour exhibition in collaboration with institutions such as the Royal Academy and the Prado. She began her career at Sotheby’s in the NY contemporary art department as an assistant, administrator and cataloguer. Gaëlle Porte holds a Masters degree from the program SPEAP founded by Bruno Latour at Sciences Po, Paris, and a B.A. in Art History and International Relations from the University of Southern California, Los Angeles.

Clarisse Dumazy

Coordination project Manager

After a preparatory class for the “grandes écoles” (literary section), Clarisse studied international relations before attending Sciences Po Paris to study cultural policy and management. Following a year and a half as a strategy consultant, she chose to get closer to the contemporary art sector and solidarity (notably through a first experience in a contemporary art gallery) before joining the Thanks for nothing’ team in September 2020.

Aska Gauthier

Institutional Relations Manager, in charge of “La Collective” 


While completing a double degree in Law and Art History at the Sorbonne University and at the Ecole du Louvre, Aska interned at the communications department of the Louvre Museum and at the National Museum of Modern Art, Centre Pompidou where she worked as an assistant curator to Françoise Guichon, head of the design department, on the exhibition “Martin Szekely – Draw no more” (2011).
After completing a Master of Contemporary Art History at the Sorbonne where she wrote a thesis about the emergence of Japanese avant-garde in the 1920’s, she assisted Marine Van Schoonbeek at FIAC Paris International Contemporary Art Fair, managing relations with institutions and VIPs.
She was the recipient of the Bridgestone Foundation Research Scholarship in 2013 and received a Master of Arts from the Graduate School of Arts and Sciences of the University of Tokyo, where she researched the emergence of performance art in the frame of the Sogetsu Art Center in Tokyo from 1962 to 1964.
After graduating, she was employed as Manager of Operations, International Development and Children’s Programming at 21_21 DESIGN SIGHT – Issey Miyake Foundation in Tokyo.
She then became Head of Visual Arts at the Institut français du Japon between 2018 and 2020 where she managed the contemporary art projects working closely with several Japanese and French cultural institutions and curators, as advisor to the Villa Kujoyama selection committee and the Cultural Counsellor to the Embassy of France regarding visual arts.
Aska joined Thanks for Nothing in octobre 2020.

Valentine Rofman

Communication an development project manager – volunteer

Valentine is a student at the School of Public Affairs of Sciences Po Paris, in the Public Policies masters, specializing in culture. In 2019, she began her first internship along with the cultural director of the Alliance Française of Bangkok. She focused on creative industries when becoming assistant director of the documentary series La Grande Explication, co-produced by France TV and the INA. Franco-Argentinean, she is particularly interested in the militant and engaged art of the continent, a field she explored in 2020 during her internship at the Festival Biarritz Amérique Latine. She has also been involved since 2015 in organizations helping refugees in France, and is very concerned about the strong links between art and solidarity.
Fascinated by contemporary art, she is currently studying Art History at the University of Lisbon. In February 2021, she joined the Thanks for Nothing team as a project manager.

Charlotte von Stotzingen

 – volunteer
Director of the Zurich Art Weekend

Co-founder of Startup Lions


Charlotte is currently leading the development and launch of the Zurich Art Weekend. This major cultural event, initiated and organized in collaboration with the most important museums, art centers, and galleries of Zurich, will take place from June 8th until June 10th 2018, the weekend preceding the opening of Art Basel. In 2015, Charlotte co-founded a social impact-focused venture in Turkana (Kenya), one of the poorest and most remote regions of East Africa. It encompasses Learning Lions, a nonprofit coding school, Digital Lions, a fairtrade IT-outsourcing agency and Startups Lions, a social incubator for digital startups. Thanks to her engagement on the field, she developed a first-hand knowledge of sustainable development challenges. She previously worked for 5 years as director of research and exhibitions & external relations manager at Blondeau & Cie, Geneva. This advisory office in impressionist, modern and contemporary art sources historical masterpieces for museums and major collections.
Charlotte lives and works in Zurich, Switzerland.

They participated in our projects and we’d like to thank them


Bethsabée Attali

Projects Director until 2019

In 2016, Bethsabée was appointed by the Bettencourt Schueller Foundation as associate curator of Jean de Loisy for the exhibition Double JE, handcraft masters and artists at Palais de Tokyo. From 2015 to 2016 she worked at Palais de Tokyo as production manager for more than six exhibitions and artistic projects (Korakrit Arunanondchai, Patrick Neu, Lasco project….). In parallel, she curated a series exhibitions including Beyond 1.1 at Tanja Grunert Gallery in New York. In 2014, Bethsabée joined FIAC and worked in the department of the exhibitor’s relations for the 2014 edition. From 2010 to 2011, Betshabée worked for Georges-Philippe et Nathalie Vallois gallery where she organized fairs and outdoor exhibitions. During her studies, she worked with different nonprofit organizations such as Fondation d’entreprise Ricard and Watermill Foundation (New York).


And also

Alice Bellanger, Violette Bérard, Agathe de Bourmont, Louise Conesa, Paula Delaplace, Juliette Dumazy, John Galand, Aurore Garçia, Aleksis García Fernández, Claire Gonnard, Lara Hajar, Jeanne Holsteyn, Katarina Jansdottir, Marion José, Anne Kalaydjian, Aline Knell, Lucia Nakamoto, Agathe Pinet, Clémence Prud’homme et Raphaëlle Sassi.